If we believe the ISO 400 label on the box, we won’t believe our eyes when we see a movie shot up to ISO 1600 after development. The APX 400 can withstand this level of pushing without losing quality. When hearing the lab employee performing the pushing and the patinated Agfa-Gevaert brand, it's hard to miss the lab-collaborator joke. An excellent companion in low light or short shutter speeds. Short film size 36 exposures ISO 400 Call FF
Low-sensitivity black-and-white raw material, designed almost for building or landscape photography. We don’t have to be afraid in the shady parts either, it plays with detailed, beautiful tones. Last but not least, it is also suitable for 2 unit push or pull calls. Agfa has been producing black and white negatives since 1964, we can trust them. Short film size 36 exposures ISO 100 Call FF
The movie with the box sticking to it has pink letters on a black background, what else? PAN advertises the inscription, i.e., panchromatic sensitization, i.e., it perceives all visible colors equally, as opposed to orthochromatic. The manufacturer promises perfect contrast and excellent line sharpness associated with fine grain, even in challenging lighting conditions. In reality, the fine grain is questionable, but it can also be an advantage, as there are those in the Kodak TX 400 who are looking for this slightly dirty grain. Rumor has it that this film is identical to the old Ilford HP5, which was manufactured from 1976 to 1989, when it was replaced by the Ilford HP5 Plus. A former worker, on the other hand, claimed that this was actually the HP5 Plus, with only the parts from the edges of the casting being boxed under the name Pan400, and the middle, where the casting quality is perfect, being placed in HP5 Plus boxes. We know such a legend from elsewhere: at VW, the engines that perform a little worse on the test bench end up in Skodas, the one better ones get Seatos and only the top quality goes to Volkswagen. Of course, obviously. Part of the Ilford mystery is the fact that the PAN 400 isn’t marketed everywhere, we’re lucky. In the UK and US, for example, it is not available. Isn't that what you're looking for? Take a look around our Ilford movies! Short film size 36 exposures ISO 400 Call FF
Another black and white legend. It is just as sensitive as Trix, but the emulsion is poured with a much finer version of the famous T-grain that gives granularity. It results in less dramatic effects than Trix, but there are those who swear by it. The finer grain results in excellent line sharpness and resolution. Also available in ISO 3200 to avoid the roughening effect of pushing. And those with even finer souls can fill a sensitivity path of 100. Isn't that what you were looking for? Take a look around our other Kodak movies! Short film size 36 exposures ISO 400 Call black and white
FP4 is like Casablanca, a classic black and white film. There are very few competitors in its category. Its graininess is extremely fine, and its line sharpness is amazing even on cubes made with otherwise wilting lenses. If you need to portray fine detail, this is the raw material you won’t be disappointed with. It is very permissive, whether it is accidental clumsiness or intentional exposure, it tolerates under- or over-calling well, it does not punish unnecessarily. In terms of use, it is even difficult to list what is suitable for everything: portraiture, avedone fashion material, building photography, or an ideal choice for landscapes. Isn't that what you're looking for? Take a look around our Ilford movies! Short film size 36 exposures ISO 125 Call black and white
The real black and white legend. It is just as sensitive as Trix, but the emulsion is poured with a much finer version of the famous T-grain that gives granularity. It results in less dramatic effects than Trix, but there are those who swear by it. The finer grain results in excellent line sharpness and resolution. Also available in ISO 3200 to avoid the roughening effect of pushing. And those with even finer souls can fill a sensitivity path of 100. Isn't that what you were looking for? Take a look around our other Kodak movies! 120 roll ISO 400 Call black and white
The black and white raw materials of the Hungarian Forté have always been the most valued. At the Vác factory, every effort was made to produce the best possible materials in addition to modest financial resources, and even to develop unique technologies if necessary. Superpan is one of Forte's last products, a beautiful imprint of the nineties, where a series of agreements, expectations and disappointments around the factory thickens. It promises the same unexpected and unusual but satisfactory results as similar films that have already expired. It is especially dear to our hearts because it was probably cast in the 11-story emulsion plant from the top of which we shipped the Forte label of our store here. 120 roll film size ISO 100 Call black and white
The patinated manufacturer’s perhaps most popular, medium-contrast black-and-white film. It balances at the lower limit of 400, i.e. high sensitivity, but doesn’t have a hard time moving up at all. As incredible as it is, it can achieve ISO 3200 sensitivity, plus when developed in an Ilford Microphen developer, it retains its original, best features. What are these? The shady parts are rich in detail, as are the medium tones, with the kind of graininess that makes a black-white negative really cinematic. Plus, it can be used in any lighting conditions! Isn't that what you're looking for? Take a look around our Ilford movies! Short film size 36 exposures ISO 400 Call black and white
Orwo was the crown jewel of filmmaking behind the Iron Curtain. The products of the factory, which used the patents of the former Agfa (IG Farben), were associated with the idea of reliable quality, surrounded by greater confidence than Svema or Tasma films. Orwo was the forced-born alternative to the relatively expensive Ilford or Kodak films. It wasn’t really popular in the West: there was no chic or romantic comedy movie to buy at all. But just as Swema or Foma movies came with their comeback, so did Orwoé, an article now sought after all over the world. It would be foolish and unfair to expect the same result from him as from Trix or HP5, but there is the promise of an unusual and unexpected result that is not only promised by the expiration date. 120 roll film size ISO approx. 80 Call black and white
The Ilford Delta family still abounded in the analog era, in the early ’90s. Funny, but in Ilford time it is still a relatively new film, in return they were able to incorporate all their experiences into it. In the ISO 400 range, Ilford feels very at home, they had time to perfect the emulsions. The Delta 400 promises impressively sharp detail, minimal grain, and a very wide range of tones. It belongs to the family of T-grain films, (Kodak T-Max, Fuji Acros) this theoretically means that its grain is finer than its traditional counterparts. Compared to HP5, the theory is also proven, but it lags behind in one thing: the range of exposure is not so wide, it does not like swings very much, it requires very accurate exposure. Poor for the HP5, the Delta 400 is hardly noticed, though it’s a very good choice for those who like to admire detailed images. Slightly more expensive than the HP5, but the next time you stock it up, you might want to think about it. Isn't that what you're looking for? Take a look around our Ilford movies! Short film size 36 exposures ISO 400 Call FF
The Kodak Fender Stratocaster. Its users only refer to it as Strata, photographers when they load this into the camera, they just poke it there: I'm pushing Trix. When Kodak danced on the brink of bankruptcy in 2012, Salgado and Corbijn were desperate to stockpile larger quantities of Trix. Anton Corbijn ordered 2,500 rolls. High sensitivity film with panchromatic emulsion. Good choice for low light conditions or high shutter speeds. The particle size is actually a bit rougher than the Tmax but it tolerates pushing very well, we can shoot up to 1600 ISO. A bit of a dirty effect is often mentioned about it, but being able to display colors in blacks and whites makes it unique. Isn't that what you were looking for? Take a look around our other Kodak movies! Short film size 36 exposures ISO 400 Call black and white
FP4 is like Casablanca, a classic black and white film. There are very few competitors in its category. Its graininess is extremely fine, and its line sharpness is amazing even on cubes made with otherwise wilting lenses. If you need to portray fine detail, this is the raw material you won’t be disappointed with. It is very permissive, whether it is accidental clumsiness or intentional exposure, it tolerates under- or over-calling well, it does not punish unnecessarily. In terms of use, it is even difficult to list what is suitable for everything: portraiture, avedone fashion material, building photography, or an ideal choice for landscapes. Isn't that what you're looking for? Take a look around our Ilford movies! 120 roll film size ISO 125 Call black and white
The patinated manufacturer’s perhaps most popular, medium-contrast black-and-white film. It balances at the lower limit of 400, i.e. high sensitivity, but doesn’t have a hard time moving up at all. As incredible as it is, it can achieve ISO 3200 sensitivity, plus when developed in an Ilford Microphen developer, it retains its original, best features. What are these? The shady parts are rich in detail, as are the medium tones, with the kind of graininess that makes a black-white negative really cinematic. Plus, it can be used in any lighting conditions! Isn't that what you're looking for? Take a look around our Ilford movies! 120 roll size ISO 400 Call black and white
All-round contender among color negatives, with outstanding performance in terms of price-value ratio. It is at its best both outdoors and in studio lighting, it couldn't be otherwise, because we dare to say it quietly, but it is almost identical to the Fuji Superia 400. It's just that the price is more favorable. Its color reproduction is excellent, and users are also satisfied with the sharpness of the lines. Its graininess is more than acceptable at idle, but there are those who swear by it that it remains more than tolerable even with push calls when exposed to 800 ISO. Although Fuji films are accused of being greenish-blue by default, the C200 reproduces the skin color flawlessly, so it is also an excellent choice for portraits. Small film size 36 exposures ISO 200 Call C41
If you had to put the freedom of worry-free photography into film, coupled with ease of use, the Kodak Ultramax 400 would be the only option. A favorite of the artists of the moment, incredibly flexible in all ranges of light, it tolerates underexposure well, but it hides more nuances than we would expect with common sense. It is characterized by fine grain size, clear, fresh colors, and excellent skin color reproduction, Ideal for natural-looking portraits such as street photography. We think Winogrand would choose that. Isn't that what you're looking for? Take a look around our other Kodak movies! Short film size 24 exposures Call C41
A true entry-level, affordable film for those now familiar with film photography. It produces a natural effect even when sensitized to sunlight but also in mixed light. It offers remarkable line sharpness compared to its price tag, and with its light and beautiful skin tones, it has earned serious fans. If Portra seems expensive to experiment with, Color Plus is a great alternative. Let’s not have illusions, it’s not a professional film, but it can work wonders in good hands. Color Plus promises fun minutes at an affordable price. It brings its best shape in bright sunshine, where we have a good chance of happy and happy moments. One of our favorites in the Main Photo. Isn't that what you're looking for? Take a look around our other Kodak movies! Short film size 24 exposures ISO 200 Call C-41
The film is perhaps unnecessary to present. While the ISO 400 member of the series is somewhat more popular, the 160 should not be left out of the class photo either. Cheap joke, but excellent for portraiture: it shows the skin color naturally, it doesn’t go overboard. Characterized by warm tones, almost as much as the Kodak 100 St used to be, anyone else remember? Like most Kodak movies, the Portra 160 has a bit of a brownish-reddish element, which doesn’t go bad at all in terms of skin color reproduction. Its graininess is very fine, although the range around ISO 160 has never been famous for its frightening grain size. Isn't that what you were looking for? Take a look around our other Kodak movies! Short film size 36 exposures ISO 160 Call C 41
A great combination of sharpness and grain size, at 200 ISO and Gold’s decades of experience, it’s not so much extra performance. However, the way this film deals with color saturation makes it quite unique. It’s no coincidence that thousands of people have been using it for a long time to make the perfect vacation shots. He behaves great in sunlight and flash, and as an old-fashioned gentleman, he knows the classic rule of 5: 2 aperture underexposure and 3 aperture overexposure brilliantly. You can expect even more color saturation from it than from ColorPlus and warmer tones than from UltraMax. 24 dice C41 Isn't this what you were looking for? Take a look around our other Kodak movies! Short film size 24 exposures Call C 41
Outside or indoors, the Fuji Superia is getting more and more, and the high sensitivity is accompanied by a fine grain size, which can still come in very handy when magnified. Vivid color rendering is also a strength, and the rendering of colors that are difficult to display, such as violet, is no problem, and it is not very challenging to represent different shades of green. He loves neon light, if we work in abandoned parking garages, we already have the raw material. In addition, it faithfully reproduces skin color, not to mention the different textures. Isn't that what you were looking for? Take a look around our other Fuji movies too!
