The world's loneliest cameras stood in Budapest for six months, perfectly hidden. No one knew that the silver in the boxes was giving way to the light, drawing out something that was there, but not like this and not then. The time spent in solitude for half a year left a special mark on the light-sensitive surface. The light source has changed into a point source, so it is now able to create a gravitational field, which this time absorbs the viewer. The streets are deserted, the spaces are empty, but this is actually just an illusion: such a long exposure time is enough to make all the townspeople turn around in front of the cameras, yet the scene seems deserted. The time stands in a strange way in the pictures, the vegetation has not yet fully grown, there are no tendrils creeping on the side of the strip house on Szőlő Street, but the people have already disappeared, the city seems to have always been just a set. The present shows the future, as silver and light wanted. Péter Egyed's Napnapló exhibition at Főfoto from the second of February
